HU, Yiqi
Lecturer

HU, Yiqi,Lecturer, School of Humanities and Law
Education
·Ph.D. in Fine Arts, Central Academy of Fine Arts (CAFA), 2019.09 – 2022.07
·M.F.A. in Fine Arts, Central Academy of Fine Arts (CAFA), 2016.09 – 2019.07
·B.F.A. in Fine Arts, Central Academy of Fine Arts (CAFA), 2012.09 – 2016.07
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Work Experience
·2024.11 – Present: Lecturer, School of Humanities and Law, Beijing University of Chemical Technology
·2022.12 – 2024.11: Postdoctoral Research Fellow, Joint Program of Peking University & National Art Museum of China
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Research Interests
Exhibition History and Curatorial Studies, Visual Culture Studies, Museum Studies
Courses Taught
Undergraduate Courses:Applied Writing;Museum Education in Beijing;High-end Lectures on Humanistic Quality Education;Practical Writing (I & II);History of Western Civilization;Cultural Heritage and Curatorial Practice
Graduate Courses:General Survey of Global Art Museums
Publications
1) Journal Articles
1.Hu, Y. (2026). Perspectives of Plural Mobility: The Turn of International Art Curatorial Concepts in the 1990s. Art Work, (1), 154-160.
2.Hu, Y. (2025). Solitary Dance of Life in the Mechanical Cocoon: The Art Poetics of Rebecca Horn. World Art, (1), 2-9.
3.Hu, Y. (2024). Art Curatorial Concepts in the New Media Era. Art Magazine, (6), 60-63.
4.Hu, Y. (2024). The Proposal and Discussion of "Global Art": Hans Belting's Horizon Extension After Modernist Art History. Journal of Nanjing University of the Arts (Fine Arts & Design), (3), 134-138, 210.
5.Hu, Y. (2022). Several Possibilities of the Body as Posthuman: Enlightenment from the 59th Venice Biennale. World Art, (3), 2-9.
6.Hu, Y. (2021). Three Paths of Western Art Institutional Critique: Analysis Based on Benjamin Buchloh's Theory. Art and Design Research, (5), 22-27.
7.Hu, Y. (2021). The Construction of "Self": Vivian Maier and Identity Narrative of Marginalized Groups in the United States. World Art, (2), 56-62.
2) Book Chapters
1.Hu, Y. (2025). Time of Passers-by: "Five Departures and Five Returns" and Qi Baishi's Vision of Landscape. In Academic Anthology for the 60th Anniversary of the National Art Museum of China (pp. 634-638). Intellectual Property Publishing House.
3) Translations
1.Stokstad, M. (2026). Global Art History. Beijing: CITIC Press. (Co-translator)
2.Stokstad, M. (2023). Art History (5th ed.). Beijing: CITIC Press. (Co-translator)
Research Grants
1.Fundamental Research Funds for the Central Universities: Science and Humanities in Art: Comprehensive Thinking Training for College Students, Principal Investigator, 2025.02 – 2025.12
2.Humanities and Social Sciences Planning Fund of the Ministry of Education: Studies on Contemporary Curatorial Theory Since 1945, Research Member, 2023.09 – Present
Honors Received
1.Excellent Paper Award, 3rd National Youth Forum on Fine Arts Theory, China Artists Association, Dec. 2024
2.Shortlisted for Excellent Long Review Award, 4th National Online Art Criticism Selection, China Literature and Art Critics Association, Nov. 2024